Saturday, November 25, 2006

Sestina Sample #1

"Six Kinds of Noodles"
by Stephen Burt

You would have to have been reading John Ashbery
to have seen anything like this in a book,
and yet here it is in real life:
an almost already intelligible tangle
of verities, and an intimidating menu,
disfigured, almost, by all the things you can have

at once, though all are noodles. Have
you, too, been trying to keep up with John Ashbery?
Every time I check there's another new book,
another entry—entrée—on the menu
from which I seem to have ordered my whole life,
and been served somebody else's. Don't tangle

with waiters here is my advice; the rectangle
of mirrorlike soy sauce, the soba you have to have
and the udon you lack should suffice: the secret of life—
as you might have sought, or discovered, in Ashbery—
is what you get while you are waiting. Men, you
see, are mortal, and live to end up in a book,

though once you compiled and published such a book,
who would be left to read it? The latest angle
claims that it would be more like a menu,
an ashen, Borgesian checklist of all you could have
or have had to pay for, or suffer, or notice. Ashbery
could write that (I think it's in Flow Chart). And yet the life

we long for in all its disorder is not a life
of so many tastes, nor of fame; more like one good book,
and ginger with which to enjoy it. Jeffrey Skinner's poem entitled "John Ashbery"
and David Kellogg's "Being John Ashbery" both take the angle
that eminence is what matters. No. We have
had enough of fighting over the menu,

as if it were the main course; the omen you
seek, the bitter-lime tang of a happy life
to come, curls up amid the semolina or buckwheat you have
not chosen yet. Will it be prepared by the book?
Will it do for Kitchen Stadium? Its newfangle-
ness may be a virtue, Iron Chef Chen Kenichi, Auden, and Ashbery

all suggest, though hard to find here without help from Ashbery:
it's a problem with which I have tangled all my life,
and I'm so hungry I could eat a book, though none are listed on this menu.

Kickball rules


The rules for kickball are closely related to those of baseball. The main difference is that kickball involves a large bouncing ball. The ball is about the size of a soccer ball.

Kickball is played on a field with 4 bases arranged on the corners of a diamond-shaped "infield". Player positions are also similar to those of baseball. There is an "infield" (with defensive players near the bases) and an "outfield" (with defensive players beyond the bases to catch the ball if it is kicked far).
Game play goes as follows: the ball is rolled towards home plate, and the player who is up ( i.e., kicking ), tries to kick the ball. If the ball is caught in the air, the kicker is out, and he or she sits down. A player is also out if the ball is thrown at them, and hits them while they are not touching a base. If a thrown ball misses them, they may only run to the next base, which is known on the kickball field as the "one base on an overthrow" rule. Also similar to baseball, if the ball is thrown to the first baseman, and it is caught by the first baseman while he or she is touching first base, the player running to first base is out. This is known as a "forced out" in that the runner was forced to run to that base. A "forced out" can occur on any base that a runner is forced to run to.

Once a team gets 3 outs, the teams switch sides. A team gets one point for having a runner make it all the way around the bases and back to home base. The team with the most points at the end of the game wins.

Wednesday, November 15, 2006

Idioms from A to Z

You will be responsible for understanding the idioms listed below. To study them, look up their definitions at the following website: http://www.usingenglish.com/reference/idioms/ (you can cut and paste this URL into another window).

These are the idioms you must remember for next week:

a little bird told me
Achilles' heel
all hat, no cattle
all the tea in China
ants in your pants
apple of your eye
asleep at the wheel
ballpark figure
barfly
beat around the bush
between a rock and a hard place
Big Apple
birthday suit
blow a gasket
burn the midnight oil
cat nap
cold feet
drive [someone] up the wall
eager beaver
eat humble pie
elephant in the room
eye for an eye
face the music
fairweather friend
flash in the pan
food for thought
grab the bull by its horns
graveyard shift
heads will roll
in one ear out the other
in the doghouse
keep your eyes on the ball
kid gloves
light at the end of the tunnel
miss the boat
my hands are tied
not my cup of tea
on the tip of your tongue
once bitten, twice shy
paint the town red
put your foot in your mouth
quiet as a mouse
rack your brain
rank and file
ring a bell
sacred cow
throw in the towel
true blue
upper hand
vicious circle
wake-up call
writing on the wall
X factor
yellow press
you scratch my back and I scratch yours
zero tolerance (note: this can relate to zero tolerance for anything; not only crime)